maldur atai - borgata goldencd
Autarkeia
Price: 12 EUR
A brutal murder was committed in Ostia
beach near Rome on 2 November 1975. A car ran over a man, turned around
and repeated the act. Pier Paolo Pasolini was the victim. The murderer
was found and confessed to murdering Pasolini. However, later on, he
claimed he was forced to do it. They threatened they would kill his
family otherwise. Them naturally being the cops. Since the truth emerged
only several years after closing the case, the majority linked the
death of the famous society figure, poet, essayist and filmmaker with
his outrageous movie “Salò, or the 120 Days of Sodom”.
A friend
of Pier Paolo stated that Paolo had been going to Ostia beach to meet
some strangers who had stolen some rolls of “Salò”. A few bloodied
fragments of the script were found in the pocket of Paolo’s jacket. More
specifically, this was a leather folder containing a few bloodied
pages. The murder case was investigated by a team of three detectives.
And a strange thing happened then. One of the detectives stuck to a
completely different version of the murder than the rest. He blurted it
out to the media saying that “everything is much more complicated than
someone’s trying to make it appear”. He was removed from the case by the
authorities and subsequently disappeared. After a while the case was
forgotten by the media.
However, fifteen years later, Sergio
Citti, the aforementioned friend of Paolo, told Paolo’s biographer, a
journalist, that he was the only one who could actually disclose the
actual circumstances of Paolo’s death. He recalled that a stranger came
to his door introducing himself as a detective on Paolo’s case. The man
looked deeply stressed, handed Sergio some pages of notes pointing out
that they contained information on the cause of Paolo’s violent death.
Without saying a further word the man left. Later Sergio saw the man’s
photo on TV news. They announced that a police officer was missing.
Sergio was shocked by this and threw himself into reading the notes.
These were pages torn out from the diary, indicating that the writer was
the officer of the special commission investigating the circumstances
of Paolo’s death. He was called to recognise the body in the site of
crime. He found a leather folder in the pocket of Paolo’s jacket. Some
of the pages were missing, others were sunken with blood. The words in
capitals on the folder said “The Third Secret of Fatima”. In the middle
of the folder there was a clear text fragment with words “Bring me some
wine, La Popessa. In a second, Sir”. The following text was illegible
because of the blood stain half page large. Then one could read “Pope
Pius XII feels sick. He is short of breath. He attempts to sit down,
lowers his feet from the bed onto the floor but lacks any strength to
stand up. La Popessa blows out the candles and leaving the Pope’s
bedroom closes the door behind her”. The next pages were evidently torn
out. The following page contained Scene No. 57, “A horrible stench
pervaded the Pope’s death venue, while his face was morbidly pallid. As a
doctor, I recognised the classic aftermath of tasting the cup of the
Borgia”. No more text ensued. All the following pages, except the last
one, were torn out. And THE LAST one was empty. The diary-author
recollected that standing in this murder site he came to realise that
someone in an awful hurry was terribly reluctant to let anyone see the
content of the folder.
Sergio read the entire diary of the
detective. He had a clear idea what folder was meant. Once Paolo had
mentioned to him that the shock caused by “Salò” was nothing in
comparison to the fiery response his next film “The Third Secret of
Fatima” would receive. He also hinted that the script covered not only
the past, but also the future. The events shown in the film had indeed
taken place in the past, and were meant to make the audience realise the
horrible things awaiting them in the future. During their last meeting,
Paolo hinted he was meeting someone important and, before closing the
door, winked saying a strange thing – “Just remember the Satan entered
Vatican in 1972”. The next day Sergio received a call from the police
and leant the horrible news that Paolo had been brutally murdered.
Sergio was invited to recognise the body. It was Paolo. Later on, Sergio
was questioned about his last meeting with Paolo and the details he
could remember.
Sergio provided Paolo’s biographer with more
details of the diary of the missing detective and the information that
he remembered from the TV reports. They said nothing unusual had been
found at the detective’s place. All things were where they belonged. The
detective’s garments were lying nicely folded in wardrobes and drawers.
The money found in the place made the police think the detective could
not have been gone away. The only suspicious thing was the diary put
open on the desk. All pages were missing, except the last one. And that
was empty. A glass of water knocked down next to the diary perhaps
implied a scene of rush or drama.
Sergio then assumed that the
stranger and the missing detective were one and the same person and the
pages came from that same diary. The torn out pages contained the
detective’s notes and assumptions, as well as other interesting and
important details of the investigated case. The detective wrote that the
name of the script found in the pocket of the filmmaker’s jacket - “The
Third Secret of Fatima” - caught his attention. He did some
investigation whether the murder was somehow connected to the script. He
turned for help to the Vatican Curia. In the extensive official letter
the detective asked for more information on the third secret of Fatima,
for he had suspicions this could have been connected to the murder of
the famous filmmaker. The official response was short. It read: “We
sincerely regret the demise of the famous filmmaker. However, it is not
in our competency to explicate the secrets of the Divine. This is a
higher reality that is not subject to the mortals”. It was signed by
Paul Marcinkus, the head of the Vatican Curia and the third most
powerful person in Vatican.
Later on, the detective received an
anonymous letter from Vatican. The letterhead contained Vatican water
marks. It read: “I am aware of your document. If you wish to find out
more, please come to the specified derelict church at the given time”.
The detective went to the meeting place in the dark rural site in the
midst of the vineyards. The church had no doors. There was only a stone
arch that looked either neglected or under reconstruction. Upon silently
approaching the pulpit covered by a thick layer of dust the detective
called out. He heard a hushed invitation from the pulpit to come closer.
The voice agreed to reveal all known information on the condition that
he will stay unknown. The detective concurred.
Then the voice
told him quite a number of interesting things about the third secret of
Fatima. There exists a great power, a group of interests, aware of the
ancient prophecy of Tibet predicting the recurrence of maldur atai cult.
They seek to prevent the said return so that the truth is not revealed.
They elaborated the plan of taking over Vatican and impeding the advent
of the Messiah. This long-term strategy included such tasks as
replacing the white popes with the black ones from the ranks of the
Jesuit Order generals. The secret document in particular stressed that a
very powerful element in the form of a child had been sent to the
Earth, and would play a vital role in all spheres of influence as well
as coordinate and rule all political, military and shadow forces
resisting the advent of the redeeming Messiah. The agents of these
spheres of influence suspect that Messiah is the maldur atai cult
predicted by the legend of Nepal. It is believed that a man wearing a
white long robe of the Pope was seen in the third apparition in Fatima.
The children who witnessed the Marian apparition were scared to death.
They recounted they had seen one more man in black, huge as a gorilla.
The face of the man in a white robe was deadly pallid. He said nothing.
He was foaming at the mouth. The man in black uttered the following
words to the children: “I will make an entrance as a child exactly five
years from now, I will break all the holy seals and make the world ready
for the advent of the beast. And upon my arrival I will gain confidence
of the most powerful in the world”. The children were frightened to
death seeing the dreary face of the tall man. They named him a
“Gorilla”. For many years afterwards the appalling man stayed in the
children’s dreams and they screamed “Gorilla”, “Gorilla”, “Gorilla” in
their sleep. The man in the pulpit suggested the adepts of maldur atai
cult had sent a sign of warning from another dimension. The third secret
of Fatima might have warned the humankind about the upcoming dreadful
scenario. The man also said that the events of Vatican in the last
decades implied a quite a number of parallels with what was revealed in
the apparition in Fatima. The year 1972 was crucial for the Holy throne.
The mysterious man did provide further explanations but suggested the
detective read the press. The media was brimming with the coverage of
these events. They concerned a few persons associated with the
illuminati, Vatican, NATO, Zionists, cocaine and banks.
The
biographer asked Sergio whether he suspected that Paolo had been
murdered for he had received information from unknown sources about the
global conspiracy predicted by unnatural powers and had based his film
script on this information? Sergio replied that Paolo had always liked
to keep to himself both his creative ideas and his lovers, who might
have included the members of clergy from Vatican. However, it was
obvious that these events had nothing to do with “Salò”, while – to
Sergio’s regret - Paolo was not completely open. All this was somehow
connected to the filmmaker’s new film titled “The Third Secret of
Fatima”. It has never been made. Only after reading the fragments of the
detective’s diary, Sergio drew attention to this and realised what was
happening in the head of Paolo when he was leaving to meet the
strangers. Furthermore, why did they try to hide so much that the Pope’s
life was threatened in Fatima and that the man who disclosed the
attempt was named “Gorilla”? The biographer of Paolo’s life told Sergio
that he had investigated the subject of the maldur atai cult and he
found it strange - or perhaps it was only a coincidence - that both the
last page found in Paolo’s jacket and the last page of the diary found
in detective’s house were empty. Just like the pages found in the cells
of the missing maldur atai adepts in Nepal. Or at least that’s what the
local legends told. Sergio replied: “It is true that the coincidence is
indeed weird”.
Later the Paolo’s biography was published in
small run. It contained all collected information about the death of
Pier Paolo Pasolini, the filmmaker. The book titled “Borgata” did not
receive a wide acclaim, although the promotion campaign and its headings
loudly claimed that the book reveals the hitherto unknown circumstances
of the murder of the filmmaker Pier Paolo Pasolini, that the cause of
the death is not “Salò”, but “The Third Secret of Fatima”, that the
unshot movie was suppressed by reality and who killed Pier Paolo
Pasolini. All these revelations made way to this book.
“Borgata”, the forth full-length album by Maldur Atai, centres on the events described in this unpopular book.
Albumo "track's":
1. signal
2. secret intruder
3. borgata - enter the area of game
4. special child
5. prophet of evil
6. hiding shadows
7. initiation killing [children with the razors]
8. the years of triumph and nightmares
9. vatican witchhammer
10. operation otan
11. devil caporegime
12. vendetta [campaign of honour / no surrender]
13. the lion heart is comming back to coffin
14. italian knot
Album lasts for 49 min. Lim. E 300.
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